青花玉壶春瓶：古董鉴赏与收藏价值解析

玉壶春瓶的造型是由唐代寺院里的净水瓶演变而来。基本形制为撇口、细颈、垂腹、圈足。它是一种以变化柔和的弧线为轮廓线的瓶类。其造型上的独特之处是颈较细,颈部中央微微收束,颈部向下逐渐加宽过渡为杏圆状下垂腹,曲线变化圆缓;圈足相对较大,或内敛或外撇。这种瓶的造型定型于宋代,历经宋、元、明、清、民国直至现代,成为中国瓷器造型中的一种典型器物。玉壶春瓶与梅瓶、赏瓶并称为“瓶中三宝”,是器物美学发展史中最具代表性的造型。许多瓶类都是以这三种造型为母本延伸创作出的。三种瓶型相比,玉壶春的造型最为经典。清新挺俊的身姿、曼妙的曲线更显女性阴柔的丰满与纤细,所以不少收藏家也习惯称其为“女性瓶"。

青花玉壶春瓶

玉壶春瓶最早出现在宋代,以后历代都有烧制,但每个历史时期的造型和装饰都略有不同。从宋至清,年代越晩,瓶的颈部越短,腹部越大、越圆,圈足越宽。釉彩装饰在宋代目前仅见北方窑口的品种,如定窑的白釉刻花、磁州窑系的白地黑彩或褐彩等;元、明时主要有青花、釉里红、白釉(元代为卵白釉、明初为甜白釉)等;到清代又增加了粉彩及其他颜色釉等品种。

此件“玉壶春瓶”,敞口,细长颈,鼓腹,圈足微外撇。瓶颈以青花饰蕉叶纹,腹部为海水如意纹,足部仰莲纹围绕。足胎浑厚,釉细腻润泽,造型优雅美观。整器图案绘制传神生动,绘工精美细致,纹饰清晰、流畅。器身纹饰用的青料为回青料,锡斑深入胎骨,分布自然。仔细观看会发现,瓶身将浓厚的釉质、自然晕散巧妙的融合在一起,愈发独特别致,给人以历史的沧桑之美感,其美感、神韵浑然一体,观赏性十足。突显岀画师们娴熟的技术,拿捏有度,器身纹饰繁多,却能将图案绘制得淋漓尽致,形象生动,实为一件不可多得的宝物,值得收藏.

白浒孤窑窑系是中国六大名窑之一，南宋初期创烧，元代工艺水平抵达最高，明末清初熄火。位于今江西省抚州市临川区温泉镇白浒渡村一带。南宋时属国都的重窑，它的工艺技术为景德镇元代新瓷都的兴起奠定了基础。

白浒窑位于江西省抚州市临川区红桥镇白浒窑村东南700米的白浒渡，故名"白浒窑"。烧造年代为南朝至宋代，是我国江南古陶瓷消费史中的重要链环之一。

白浒孤窑非常特殊，器底多有方章楷书阳文印款!还有一种极端少见的方章宋体书印【同宋版书体字】款。器物古朴小气，技艺纯熟，具有时代特征，而制造造型、工艺纹饰又具地方特征而著称江西。

这件玉壶春瓶，细看青花画面颜色深浅不一，青花晕散明显，画面极其生动自然，不管从任何角度欣赏都是古韵十足，青花瓷是能最好表现泼墨山水画的瓷器，这是其它瓷器所做不到的，所以青花瓷最具中国风，最能体现中国山水画艺术的最好载体，china这个单词大家都知道是中国的意思，可是最早这个单词的意思就是瓷器，因为当时中国被称之为瓷器之国，可见我国瓷器的影响之大，已经成为对外的一张艺术名片了，而当时出口瓷最多的就是青花瓷，这件青花品相完美，无穿线，磕缺，损坏，修补问题，可遇不可求，能收藏它不仅是财富身份的体现，更能体现对艺术喜爱，很多藏家看到好的藏品是必须要咬牙才能拿下来的，青花瓷器已经是瓷器界的顶峰，是青花瓷收藏界的明星藏品，具有不可估量的收藏价值。

英文翻译：The shape of the jade pot spring vase evolved from the clean water bottle in the Tang Dynasty temples. The basic shape is skimming mouth, thin neck, hanging belly, circle foot. It is a kind of bottle with a soft curve as the contour line. Its unique shape is that the neck is thin, the neck is slightly tucked in the center, the neck is gradually widened downward into apricot round pendulous abdomen, the curve changes slowly round; The circle feet are relatively large, either inward or outward. The shape of the bottle was shaped in the Song Dynasty, through the Song, Yuan, Ming, Qing, the Republic of China until the modern times, becoming a typical ware in the shape of Chinese porcelain. Together with plum vase and appreciating vase, Jade Pot spring vase is called "three treasures in the bottle", which is the most representative shape in the development history of utensils aesthetics. Many bottle types are based on these three models for the extension of the creation. Compared with the three bottle shapes, Yuhuchun is the most classic. Pure and fresh pretty body posture, lithe curve more show feminine feminine plump and fine, so many collectors also used to call its "female bottle".

Blue and white jade spring vase

Jade spring bottles first appeared in the Song Dynasty and were fired in successive dynasties, but the shapes and decorations in each historical period were slightly different. From song dynasty to Qing Dynasty, the later the time, the neck of the bottle is shorter, the abdomen is bigger and more round, the circle foot is wider. In the Song Dynasty, only varieties of glaze decoration were found in northern kilns, such as white glaze carving of Ding Kiln, black color or brown color of white ground of Cizhou kiln. Yuan, Ming mainly blue and white, youligong, white glaze (Yuan dynasty for egg white glaze, sweet white glaze at the beginning of the Ming Dynasty); In the Qing Dynasty, pastels and glazes of other colors were added.

This piece of "Jade Pot spring bottle", open, slender neck, bulging abdomen, circle feet slightly outward. The neck is decorated with green banana leaf pattern, the abdomen is sea water ruyi pattern, and the feet are surrounded by lotus pattern. The foot tire is thick, the glaze is delicate and smooth, and the shape is elegant and beautiful. The whole pattern drawing vivid, exquisite and meticulous painting, clear and smooth decoration. The green material used for the decoration of the body is the green material, tin spots deep into the fetal bone, natural distribution. If you look carefully, you will find that the bottle body skillfully integrates the thick glaze and natural halo together, making it more unique and unique, giving people the beauty of the vicissitudes of history. Its beauty and verve are integrated and full of appreciation. Highlight chu painters skilled technology, take hold degree, the body decoration is various, but can draw the pattern incisively and vividly, vivid image, is a rare treasure, worth collecting.

Bai Hu Gu kiln is one of the six famous kilns in China. It was created in the early Southern Song Dynasty and reached the highest technological level in yuan Dynasty. It was flameout in the late Ming and early Qing Dynasties. Located in the white Hu Du village, Wenquan Town, Linchuan District, Fuzhou City, Jiangxi Province. The heavy kiln was the capital of the state in the Southern Song Dynasty, and its technology laid the foundation for the rise of the new porcelain capital of Jingdezhen in the Yuan Dynasty.

Bai Hu Kiln is located 700 meters southeast of Bai Hu Kiln village, Hongqiao Town, Linchuan District, Fuzhou City, Jiangxi Province, hence the name "Bai Hu Kiln". It is one of the important links in the consumption history of ancient ceramics in The South of China.

White Hu Gu kiln is very special, the bottom more square chapter regular script Yang print! There is an extremely rare square chapter song Style book printing [with the Song version of the calligraphy]. Implements simple and petty, skilled, with the characteristics of The Times, and manufacturing modeling, craft decoration and local characteristics and known in Jiangxi.

This okho spring bottle, look blue screen color shades, blue and white halo powder, picture extremely vivid and natural, no matter from any Angle to appreciate is a sensibility, blue and white porcelain is the best performance splash-ink landscape painting of China, it is the other porcelain can't do, so most Chinese wind of blue and white porcelain, most can reflect the best carrier of Chinese landscape painting art, China this word is the meaning of the Chinese is known to all, but the meaning of this word is the earliest porcelain, because the country is referred to as Chinese porcelain, is our country the influence of China, has become a foreign art card, at a time when export porcelain is blue and white porcelain, the blue and white quality perfect, no thread, ke is missing, damaged, repair the problem, Can not be met, can collect it is not only the embodiment of wealth identity, more can reflect the love of art, many collectors see a good collection is must be clenching teeth to take down, blue and white porcelain has been the peak of porcelain, blue and white porcelain collection is the star of the world, with immeasurable collection value.